12:07 PM

Mildred Pierce

Posted by Elizabeth |


In the United States, HBO dominates the miniseries category. From Angels in America to Band of Brothers, from John Adams to Temple Grandin, award seasons have gotten a tad dull. HBO always wins. So, to be fully informed viewers, and mainly because of the draw of the incredible, “I want to be her when I grow up” Kate Winslet, we watched the HBO mini-series of the year: Mildred Pierce.

From the opening montage of Mildred’s fabulous 1930s kitchen, Mildred Pierce is a period feast for the eyes. In other words, it’s really pretty, and you should expect to see Elizabeth in depression-era house frocks from now on. Also expect Rebecca to be demanding pies from every visitor. But of course we expect that from HBO—they’re masters of setting and ambiance.

And as you’d also expect from an HBO miniseries, the acting is top notch. These are the people that got Sean Bean for Game of Thrones and Paul Giamatti for John Adams. Because they’re so successful, HBO can get the cream of the acting crop—especially when even a minor, bland supporting role will garner you an Emmy nomination (we’re looking at you Melissa Leo!).  

But having said all of this, we can honestly say that we hated Mildred Pierce. The screenplay fails its high production values, the pacing fails its actors, and the story fails its viewers. Of course, much of this can be blamed on the original novel. HBO’s Mildred Pierce is adapted slavishly close to the novel. Watching it, you get the feeling that that this is a passion project for its writers and producers. As such, they were doggedly faithful to the source material and forgot to give the miniseries a life of its own.

On a personal note (spoilers ahead. Although we’d strongly encourage you not to see it so—continue at your own risk), the ending sucks. Or rather, we’ve seen Mildred struggle for five hours to start her own business, navigate three unworthy lovers, and raise the daughter from hell. Then she just sacrifices it all for that bitchy daughter of hers that we’ve spent the past five hours hoping would die. Mildred Pierce tries to be a harrowing tale about obsessive love that destroys a hardworking mother. Instead, it’s five hours of people being unhappy and not in a particularly interesting way.

And maybe it’s the fault of the novel, but the plot twists were amazingly unbelievable. Sudden deaths by pimple! Vida learns opera in nine months! Divorces overnight! God punishes women for casual sex with moustached strangers! Chicken and waffles sound great together! We’re sure this sort of melodrama worked great for the 1945 film, but we expect more realism from our media today. Or at least an explanation for death by pimple.  

Usually HBO wins when award season rolls around. But this year, we hope that Downton Abbey crushes Mildred Pierce. Just like Midred crushed Vida’s throat. #teammaggiesmith

Sometimes life takes over and a month passes and you realize that you haven’t posted anything on your blog since you saw that Woody Allen film. Elizabeth and I haven’t been living in strange solitude doing nothing but staring at a blank wall, but we’ve actually been doing stuff. Lots of stuff. Which has left little time/energy/drive to actually sit down and write anything here, on Deadly Furniture. But, because the bookmark has been guiltily staring at me for the past week, I thought that it was time to…you know…write. And what better way to make a grand re-entrance then with plays?

Because Elizabeth and I have seen a lot of them lately. It’s perhaps one of my favorite things about New York City. If you aren’t afraid of lines (which we aren’t) or spending your day in them (sometimes

your entire day), you can get relatively cheap tickets to Avenue Q or How to Succeed in Business Without Really Trying and then walk home afterwards. To say this is how I’ve been spending most of my limited funds (funemployment for the win) is pretty accurate.

So to say that Elizabeth and I felt pretty lucky that we could actually see a play that everyone in the country was talking about is to put it mildly. The Book of Mormon is a musical that is on the verge of changing everything about Broadway and the plays it produces and Elizabeth and I, New Yorkers, got to see it. And it was incredible.

The Book of Mormon

Ever since I was a child I tried to be the best
So, what happened?
My family and friends all said I was blessed
So, what happened?
It was supposed to be all so exciting to be teaching of Christ 'cross the sea,But, I allowed my faith to be shaken.
Oh, what's the matter with me?

The thing is, plays are harder to write about than television or movies. At least for me. The Book of Mormon is an experience that I can’t describe to you in anything resembling a fair review. Whenever I listen to the soundtrack, I think back of those moments of me standing in the back of the orchestra and hearing “I Believe” for the first time or watching “Turn It Off.” It was a singular and unique three hours of joy and laughter.

The same can be said of my experience in Stratford, Ontario. Elizabeth and I can’t seem to quit the Stratford Shakespeare Festival (we’ve been there eight times) and these past experiences build on each other until we have all these memories of past plays as we watch new ones. We both have our favorite actors (Geraint Wyn Davies and Tom Rooney!) and so we’re almost guaranteed to love whatever they’re in (within reason. I’m not totally blind to bad plays).

It’s easiest to just say that Camelot forced me to perform my best impression of my mother on Easter Sunday...

Camelot

Yes, Camelot, my boy!
Where once it never rained till after sundown,
By eight a.m. the morning fog had flown...
Don't let it be forgot
That once there was a spot
For one brief shining moment that was known
As Camelot.

...And Merry Wives Of Windsor made me really want a buck basket.

And then there’s Jesus Christ Superstar. The original soundtrack doesn’t do justice to the wall of sound that was this rock opera. And it was incredible. At times holy. Tim Rice writes his heart out here and the actors sang out there’s.

Jesus Christ Superstar

I dreamed I met a Galilean
A most amazing man
He had that look
You very rarely find
The haunting hunted kind

I asked him
To say what had happened
How it all began
I asked again
He never said a word
As if he hadn't heard

There. I have written another blogpost, bookmark. Now stop making me feel all guilty. I have plays to go to.

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